Concow Fire

Even This Will Not Beat Me

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Update, remembrance & what fellow survivors taught me about enduring

If you’re like me, 2020 feels like a hammer smashing a marble.

I know we’re supposed to talk about rising up, being strong, overcoming, stiff upper lipping our way through it and all of those intentions are valuable.

But… Jesus Christ. I mean… Jesus Christ what an era.

This posting is meant as a reflection on the two-year anniversary of the Camp Fire, as an update on our project Three Days in Paradise and as a personal update for all of you who have become friends through these years. It’s also an update on the bright, if bittersweet, days, months and years to come.

Personal Updates

I’ll admit, most of the traumatic after effects of the Camp Fire did not come home to me fully until this year. In the aftermath of the fire it became my ambition, along with my producing partners Laura Smith and Jenna Lane, to tell the story of our town, our history, our people like only those who lived here and held it close.

That work through 2019 allowed me to forestall most of the trauma I saw in our fellow survivors. Working on Three Days in Paradise kept me busy. It’s my ambition to tell such a deep, era-spanning story of what the fire meant to us all that my work dovetailed with a lot of other meaningful projects.

I was lucky enough to make on a very meaningful project, the Emmy-Nominated A High and Awful Price: Lessons Learned from the Camp Fire. I was able to be a field producer on Ron Howard, Xan Parker and Lizz Morhaim’s Rebuilding Paradise, and go to the Sundance Film Festival. As a filmmaker, it’s quite an experience and one I never thought I would have when I settled in Paradise. (It’s premiering on the National Geographic Channel this Sunday at 9 PM).

When I got home in February, I was planning to make several trips around the country to gather the funding and support to make Three Days exactly the kind of high quality, modern, meaningful production our story deserves.

My travel was to begin in late March or early April. Plans personal, career and professional were cancelled. I was forced to stop and think.

I fell apart.

I won’t go deeply into it here because I’m sure my struggles rhyme with your own. Since the fire I came down with an illness that has left half my face partially paralyzed. My boys have had more taken from them than I think I’ll ever know. I’m proud of the men they’ve become, but I can still see the tremors of anger, nostalgia and sadness in quiet moments when they think of their childhood in Paradise. And my ex-wife was rushed into emergency surgery and had a close call.

And that. When the fire happened, we were married and now for a constellation of reasons we are not. While we parted as friends, this was once one of my greatest fears and another one of the things I wonder would be different if it weren’t for the fire.

But we will never feel another day when the influence of November 8, 2018 does not touch us. So we soldier on. In the past months and weeks I’ve risen from my knees and am getting back to work. About that…

Documentary Updates

While the arrival of Covid-19 has scrambled the lives of everyone, it has done a real number of the film and TV industry. My friends in the industry tell me it’s likely movie theaters will never return to be what they once were. That is not to say anything changes for producing Three Days in Paradise (not a thing in this world or the next will stop me from working on it until it’s finished and worthy), it’s just that the media landscape has changed. We are changing with it, to make sure our story still gets out.

In many ways, that has made the production more challenging… the tastes of streaming and distribution companies have changed. But almost uniquely the events of 2020, with fire in Australia and here in California, the burdens of a pandemic touching everyone on the planet, has made our story of loss and rebirth resonant to almost every other human on Earth in a new way.

One way is we will be producing a podcast with award-winning KCBS Radio reporter Jenna Lane. It will be a kind of sister project to compliment the documentary series. More details on that to come.

Another is that we are going to be going back out into the field for more interviews, more updates, more stories that have cropped up as we have rebuilt. Our ambition is to tell the story of our people from long before the fire to long after. To take all our pain and love and experience and make something meaningful that will be ours, and last long after we are gone.

Our story is not unique. Overcoming is our essential human nature. And no one can tell that story to a world that needs to hear it better than us.

Our mini-doc, A High and Awful Price: Lessons Learned from the Camp Fire–on KIXE Saturday

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Hey friends, family and neighbors,

I’m here today with the news a documentary we’ve produced, A High and Awful Price: Lessons Learned from the Camp Fire, is running this Saturday on KIXE. Specifically, it’s running December 28 on KIXE-HD, channel 9.1 at 8 p.m.

While this is not the docu-series we’re better known for–that being Three Days In Paradise to which you’ve all so generously donated interviews, footage and information and more–we’re releasing this now for a special reason.

A High and Awful Price is meant to pass along the lessons we’ve learned to help people think about, prepare for and plan for disasters that may befall them. As the name suggests, we’ve all been through something wrenching and heartbreaking, so the knowledge we’ve gained… and that can help others… is dear. So getting it out now is something we wanted to do even while Three Days in Paradise‘s release is still down the road a bit.

Price was made in connection with Butte County and is meant as a clear, simple explanation of the causes, effects and responses to a disaster as complex, overwhelming and devastating as the Camp Fire–while also communicating the most important lesson: You are not helpless and there is something you can do in the face of danger.

It was made with the help of Sheriff Kory Honea of Butte County, CALFIRE Chiefs David Hawks and John Messina, Director of Butte County Department of Employment and Social Services Shelby Boston, the Butte County Chief Administrative Officer of Butte County Shari McCracken, Emergency Services Officer Cindi Dunsmoor, Retired Disaster Coordinator for the Paradise Unified School District (and PHS Principal after the fire) Jeff Marcus and Executive Director of California Vocations Bob Irvine.

For that, we are very appreciative. You can see a preview here:

We’re still here and we’re still listening

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If you’re like me, the first anniversary of the Camp Fire was a cyclone of emotions.

There was shock that so much time had already passed and the shock that a whole year could feel like just a few days. The pain and bewilderment of the fire’s aftermath was made vivid again as the anniversary arrived, now mixed with an honest hope for the future and a bittersweet regret at all those who have been forced by economic and emotional circumstance to leave Butte County in the last 365 days.

And if you’re like me, only now are you really ready to talk openly. That’s why I’m writing today.

Since the one-year commemoration, I’ve noticed more survivors sharing their stories for the first time. I’ve also had more than a few say they will talk only to our Three Days in Paradise team, because we lived through it too.

I’m here to say we’re still here, we’re still listening, and we’re interested in hearing your stories as long as you’re content to share them.

While many documentaries have finished shooting and departed the county, Laura and I, along with our Three Days team, are still here. We’re living in Chico while our hearts remain on the ridge.

I know you or someone you know may have been too nervous or in too much pain to share your story of the Camp Fire over these last 12 months. Memories of the Ridge as it was may have been too much to talk about without tears.

Something about the first anniversary has prompted some people to finally share their experiences, and that’s why we’re still here.

We want to hear everyone’s stories. We want to know what happened to everyone, what is still happening, and where we go from here. And when our documentary series is done, when our interviews are donated to the Gold Nugget Museum, we want the world to hear our story and understand it as we do.

So if you or someone you know is only now wanting to talk, we’re here. If you find yourself chatting with loved ones over Thanksgiving dinner, at some Christmas party or some other holiday celebration, please keep us in mind. 

We’re here to listen.

You can contact us here:

Email:

Info@ThreeDaysInParadise.tv

Facebook:

http://www.facebook.com/ThreeDaysInParadise

Twitter:

https://twitter.com/3daysinparadise

Instagram:

https://www.instagram.com/threedaysinparadise

Find out everything at:

https://threedaysinparadise.tv

Or call 530-680-7125

Helping the Gold Nugget Museum and Three Days in Paradise

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Hey friends, neighbors and readers,

We come today with the happy announcement long in the making: Our Three Days in Paradise production team has entered into an agreement with the Gold Nugget Museum to donate all materials contributed by the public to our production to the Museum poste haste.

That means anything you give to us to use in our series, to tell the local and larger stories of the Paradise Ridge and the Camp Fire, will find a home in the Gold Nugget. We’re proud and touched to be allowed to help in this small way to rebuild an institution that means so much to our Ridge.

We’re looking to do two things: 1). Help rebuild the historical images of the Ridge from the 1840s to November 7, 2018 and 2). Create the most complete, fully sourced archive of Camp Fire related images, video, audio and more.

That means we’re looking for everything: Phone videos, home videos, historical pictures, Polaroids, modern phone pics, Beta Tapes, VHS tapes, slides, news station footage & 8 mm films… Everything.

We will scan or digitize you originals and get them back to you. We will then pass on museum quality digital copies to the Museum for their archives.

We came to this decision when we realized the needs to make our series… historical images and what we all saw and heard on November 8 and in the aftermath, matched neatly with what the Museum would be needing for the future.

There are a few ways to get us footage.

1). If you’ve got physical images or material… video or audio tapes, home movies, old pictures, anything, give us a call (530-680-7125) or email and we’ll set up an appointment (Info@ThreeDaysInParadise.tv).

2). Get on our computer and go to this link and send us material via DropBox. When asked, enter your name and email (this will tag each video you upload with your name so we know who contributed it). Only we will see the video you send. Here’s the link:
https://www.dropbox.com/request/XoKYqh7YQe5IHhPx1qPF

3). If you’re on an iPhone, select the photos and send us an iCloud link. You can send the link here: Info@ThreeDaysInParadise.tv

4). If you’ve got an Android, select the photos and send us Google Photos link here: Info@ThreeDaysInParadise.tv
Or…

Tell your Tales from the Paradise Ridge

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Like many of my fellow Camp Fire survivors, I have been torn up since the morning of November 8, 2018.

The filmmaker in me… that part that’s worked to tell stories since Star Wars and Snow White and Ken Burns’ Civil War kindled my love of cinematic storytelling… wants to tell the whole story of what happened to our Paradise Ridge communities.

The citizen in me… that part of me who raised a family with my wife on Scottwood Road, took our boys to Paradise Elementary, watched little league games at Egleton Field and fled the town with neighbors and friends… wants to make sure the world remembers what befell us. I want our stories told whether or not it’s me telling them.

It’s that part, the town resident, that wants to help my fellow citizens tell their story to every worthwhile reporter, author, documentarian, director, etc. who cares to listen with respect. That’s why as we’ve been working on Three Days in Paradise, we’ve been looking to partner with other storytellers to ready to tell the story of the Camp Fire as we knew it.

Which brings me to Lizzie Johnson, the San Francisco Chronicle. She’s a reporter known for her coverage of wildfires. We’re happy to announce we’re partnering with her on a new initiative to capture your stories.

In a book she’s working on, Johnson is working to tell the story of the fire and what it’s meant to us all in facts and prose. In our documentary series, we’re looking to do the same thing in images, music and sound.

So we’ve created an easy to use document you can fill out to start telling your Camp Fire story. What happened to you. What you went through. What you saw and what we should all remember. We’ll be using those to get in touch and make sure your story is known.

So please take a moment to add your story. We want to hear it, and take it to the rest of the world.

A word about shady documentary crews in Butte County, Part 1

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Hi friends,

After coming home from a very emotional series of Gold Nugget events today, I wanted to share some hard-earned wisdom with my fellow Paradise (go Bobcats!) and other Butte County neighbors.

There may be documentary crews asking your to sign something that sounds reasonable, but will actually exclude you from our story in many ways. It may also be a barrier to rebuilding some of the institutions we all love.

I’ll explain.

I came to Butte County in 1993 for college and in some ways never left. I chose to live here, my wife and I chose to raise our kids here. I love Butte County.  But much of my professional work has been in Hollywood.

Because of this I know the openness, earnestness and honesty (well, mostly, LOL) we all love in our Butte County neighbors. I also know the openness, earnestness and honesty (more than you’d assume actually) of people who work in Hollywood.

Back in the late 1990s and early 2000s I made my living as an entertainment journalist (journalism degree from Chico State 1996. Go Wildcats!). I interviewed many of the people who inspired me into filmmaking. I got to talk to directors, writers, actors. I talked to Will Farrell about his first movie (Superstar). I talked to M Night Shyamalan the week before he released The Sixth Sense. And I interviewed to Ron Howard as he prepared to release Ed TV (yes, he’s as nice as his reputation). But by this point, you don’t need me to tell you that.

In the mid-2000s until now I’ve been running my own production company out of Butte County, dividing my time between making my own documentaries and educational programs while also contracting out for various companies across the nation for various reality TV and documentary crews.

So I’m not coming at this from assumptions or things I’ve read. I know my way around Butte County and I know my way around the film and TV industry. What I learned was this: Almost all TV and filmmakers in Hollywood is trying to do a good job to make something people will enjoy. For the crews working on those films and shows, it’s a lot like any other job: People are just trying to get through their day.

And like every other job, there’s some people who just make things hard for everyone. We’ve all had that bad boss, that dullard co-worker, or that schemer who makes office politics awful.

That’s why I’m here now.

Watch Out For This:

When a documentarian talks to you, they’ll probably ask you sign what’s called a release.  Among other things, it allows them to edit you into their documentary without the fear of you suing them. Many networks, streaming services, etc. require releases for every interviewee in a documentary or they won’t air it. 

As I make Three Days in Paradise, I ask everyone to sign a release because eventually I want it on the biggest network or streaming service I can get. I want the world to know our story, to know Butte County, to know our history, and to know what this fire did to us.

But there’s another, shadier kind of release that screws things up for everyone. This kind of release is called exclusive release.

What an exclusive release says is you can ONLY talk to the documentarian for which you sign it. You can ONLY appear in their documentary. But what’s worse is it binds you even if they never use your interview. Documentarians shoot a lot of interviews they never use. So if you sign an exclusive release, that documentarian talking so nicely to you now can literally leave your story of the Camp Fire on the cutting room floor. No one will ever see your story. But here’s what’s worse:

If you sign an exclusive release,  you cannot give interviews to anyone else. 

You cannot talk to other local documentaries. Not just me, but the many others who need your stories.

You cannot talk to other non-Butte County documentaries, who we need to help keep our story alive.

You cannot talk to the many interviewers looking to record our stories for the Gold Nugget Museum, the Butte County Historical Society, or other local history institutions.

You cannot talk to the crews from Chico State looking to record our oral histories.

You cannot talk to the local news.

You cannot even talk to the video crews from our local high schools.

If you sign releases with exclusive clauses, you take your voice out of our local community. You are silenced.

Maybe that’s something you want to do. Maybe it makes sense for you. I’m not telling you what to sign or not to sign.

I’m saying I would never sign one myself.  I would never ask anyone to sign one. There’s no good reason for a documentarian to ask you to sign one. If you appear in Three Days in Paradise, it’s no skin off my nose if you also appear in any other documentary.

I’ve never seen a filmmaker I respect ask someone to sign an exclusive release for a documentary.

So if anyone asks you to sign an exclusive release, think long and hard about it. It doesn’t guarantee your story will be told. It DOES guarantee you will be silenced for local projects and may be silenced forever.

How it Burned: The Camp Fire from start to finish

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Since posting the animation of the Camp Fire’s November 8, 2018 progress (from SimTable’s illuminating data visualization system) many people have asked if there was a way to see the entire fire.

I’ve now done some more digging on SimTable’s site and found two animations: one shows November 8 from the start of the fire until midnight. The second one shows the progress form about 5:30 p.m. on November 8 until the end of the fire.

I haven’t been able to find or tweak these links to show the whole fire in one animation at one constant speed.

With that said, here they are:

Day 1 from 6:44 a.m. to midnight.

Here’s the direct link:

https://www.simtable.com/apps/fireProgression/CampDayOne/CampDayOne.html?playback=240

And here’s the animation:

Day 1 (November 8) from 5:37 p.m. to Day 18 (November 25) 6:22 p.m.

Here’s the direct link:

https://www.simtable.com/apps/fireProgression/output2018/CABTU_016737_CAMP.html

And here’s the animation:

Watching the Camp Fire in Real Time (Day 1, 06:44 am-12:00 am)

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There’s a panoply of flowery quotes about why humans love storytelling as they do. All of them boil down to our need to answer these tangled questions:

Why do people do what they do, and why do things happen as they happen?

The Camp Fire is the most impactful thing ever to happen to my family and our community. As a storyteller, doing my part to tell this story is impossible to resist. Why we all acted as we did on November 8, cowards or heroes, valiant or vain… these I’ll answer in time.

But as our team works, conducting interviews and research, gathering everything a person could know, sometimes we come across something we feel the need to share now. This is one.

It comes from a company called Simtable a company which makes animations and simulations of complex physical events based on real data. This one shows the progress of the Camp Fire. The embedded version below is eye opening, but the link below might be easier to see.

To see the progression at a slower rate,  click the link below.

https://www.simtable.com/apps/fireProgression/CampDayOne/CampDayOne.html?playback=240

For me, the best view was found clicking on the Map Base Layer button and choosing the Bing Hybrid option. It allows you to see road and landmarks laid over satellite photos of the actual landscape.

Something about seeing minute by minute (the timestamp can be seen in the lower left, going minute by minute) is both comforting and goulish. I can’t explain it, awful as it is, some part of me wants to see what actually happened when our lives were all hurled off course.

Now I know my home was destroyed around 12:30 or 1:00 p.m.

Nothing to add to a sentence like that.

January Update 2 – A bit about Three Days in Paradise

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Amid the tumult unleashed starting November 8, the geiser of information we are tasked to absorb is something beyond what any of us have experienced.

Keeping so many things straight… insurance claims, FEMA information, cleaning up our communities and most importantly remembering the over 80 people we lost, it is more than understandable a project like Three Days in Paradise has escaped your notice.

So for those far and wide, here’s a little bit about who we are, what we’re doing, and how (hopefully) you can get involved.

Three Days in Paradise is a documentary series not only about the Camp Fire but also the communities we all knew before the fire and what we’re working to rebuild. It’s being written and directed by an Emmy Award-winning local filmmaker, Christopher Allan Smith who lived in Paradise until November 8. Like almost everyone in town, he fled from his home with his family and when he returned only ash remained.

Since the week of the fire Chris and a small, dedicated crew has been shooting footage, interviews, doing research and gathering historical files to put the thousands of disparate threads in this story together in a meaningful, understandable way.

This project is eyeing two audiences. Those of us who live and lived in Butte County and experienced this disaster and those around the world who need to hear our story. So yes, we’re trying to make something to move everyone. Not only will we be touching on the topics we’ve all witnessed in recent years (worsening wildfires, longer fire seasons, the struggle to make Paradise, Magalia and Concow safe to evacuate and more) but when people see this, we want everyone to see our communities as we did. That way, they can  love the communities we knew before November 8, they can cheer and help our rebuilding afterward, and we can claw back from the fading past just a bit of what we lost.

We’re confident with Chris’ experience and the filmmaking talent available, both local and out of the area, we can create something to stand shoulder to shoulder with any production going on this subject. There are people working on Camp Fire documentaries with better resumes, but none with better experience to tell this story.

If you’d like to help, or make sure we include a story you think is vital, check out the links below:

There are two ways to get us footage.
1). Get on our computer and go to this link:
https://www.dropbox.com/request/XoKYqh7YQe5IHhPx1qPF
When asked, enter your name and email (this will tag each video you upload with your name so we know who contributed it). Only we will see the video you send.
Or…
2). Contact Chris below and he’ll get in touch about getting your footage.
Email: ThreeDaysInParadiseTV@gmail.com
Twitter: @3DaysInParadise
Facebook: facebook.com/ThreeDaysInParadise
Chris’ personal page: facebook.com/RocketSpots
Or call 530-680-7125

Welcome to 2019 and your part in making Three Days in Paradise happen. We welcome what you’ve seen… stories, video and pictures

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Happy 2019! Here’s hoping it’s better than 2018 for all of us.

To make a TV series, you need footage. To make this series, the Three Days In Paradise team needs YOUR footage.

The enthusiasm you’ve shown for this project has inspired and touched us even while many of us work to put our own lives back together in the wake of the #CampFire disaster. When it comes to Three Days in Paradise, many of the crew and subjects are in this together. As posted elsewhere, I’ve lost my home in Paradise along with many of you.

Since we announced the project, we’ve had hundreds of people offer the footage they shot on November 8, 9, 10 and beyond. So many, we collect them from you one by one.

So we’ve been working on the best way to make it easy for people to send us their high quality, uncompressed footage. We’ve found a way and here it is.

Why can’t you just send Facebook or YouTube links?

We’ll explain.

Most non-professionals understandably think they can just send us links to Facebook or YouTube postings. The problem is, modern cameras shoot surprisingly high quality footage, often 4K footage (advertised as UHD), or 1080 footage (advertised as HD). But Facebook compresses that down to 720 or less and YouTube also compresses the footage.

That compression takes sharp, vivid footage and makes it look blurry, degraded and less colorful. They do this to lessen the load on their networks.

So the upshot is, we need your original camera files if at all possible.

Best Way to Send Us Pictures and Video Files

One of the strengths of this project is we’ll be using footage from the entire range of past and present video sources. That includes phone videos, home videos, old pictures, modern phone pictures as well as old VHS tapes, slides, news station tapes and 8 mm films.

We’ll be announcing how to get some of that to us in the future, but if you have phone or camera pictures or video, here’s how you get them to us.

Get on our computer and go to this link:

https://www.dropbox.com/request/XoKYqh7YQe5IHhPx1qPF

When asked, enter your name and email (this will tag each video you upload with your name so we know who contributed it).

The nice thing about doing it like this is you can send us video but only we will see it.

If this method doesn’t work for you, check below.

Best Way to Send Historial Films or Video Tape files

As Three Days in Paradise is being produced by the Emmy-Award-winning company RocketSpots.tv, we have just the ability to convert old video tapes, photos, slides, 8mm and super 8 film to museum quality digital copies. And we’re willing to do it, if you’ve got images of Old Paradise, Chico, Magalia, Concow or more.

For these transfers, at this point it’s best to meet in person.

Feel free to call me at 530-680-7125

Or email ThreeDaysInParadiseTV@Gmail.com

Or find us on Twitter @3DaysInParadise

Or find us on Facebook.com/ThreeDaysInParadise

Or find director Christopher Allan Smith directly on his personal page: Facebook.com/RocketSpots.